I was in Singapore a few days and I tried for the second time the film Rollei 400 infrared with the Hoya filter R72. I shot it with my Leica M6 and the lens Noctilux. Following my first experience with infrared, I knew how to expose it : you have to add 6 or 7 stops to the shutter speed of a standard reading. I used the app My Lightmeter Pro. I selected the ISO (400) , the aperture (f8), and the app gave me a shutter speed for a normal film. Form this, I added 6 or 7 stops. For exemple, if the app indicated 1/2000s, I would shoot at 1/30 or 1/15. After shooting half of the frame, I realised that I could get the same result by following the internal lightmeter of my M6. Because the M6 TTL takes into account the light coming through the lens, it takes into account the filter. The filter blocks a lot of light, but at the same time the Rollei film doesn’t have an anti-infrared filter as the other films or as a standard digital sensor. With a standard digital sensor you would have to add 14 stops of lights.
So I went to the Supertree Grove gardens at Marina Bay because there’s a lot of plants and trees and that’s how you get the most of your infrared shots : if your exposure is correct, they must appear white and that’s beautiful! I shot as well in other parts of the city and from my balcony to have some landscapes.
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The “Bokeh Challenge f/0.95” series consist of shooting an entire roll of film at the aperture of f/0.95 , which is the widest aperture possible with a lens as of now. This is a difficult task :
1- first you need a find an interesting subject that you can shoot closely ; the closer you are the better the effect.
2- then you need to find a background that will melt properly to form a nice bokeh
3- finally, you need to nail the focus precisely because at 0.95 the depth of field is very shallow and with film you don’t see the result immediately. and consequently you can’t start again if you fail.
The point of these challenges is to take advantage of the capacities of one of the most legendary lens ever made, the Leica Noctilux. Wide open, this lens produce unique and outstanding images. Being able to separate the background from the subject makes your picture more “understandable” to the public. They will understand immediately the concept of your photograph and won’t be distracted by another element in the frame. Beside, in a pure artistic and aesthetic point of view, it makes the picture more beautiful and eye catching.
I was in Paris in January for this photo walk. I had my Leica M6 TTL loaded with a roll of Kodak Portra 400. As it was a cloudy day, the shutter speed didn’t need to be so fast to compensate the huge amount of light coming through the lens. It was 1/500s in the morning then 1/250s and 1/125s in the evening. Anyway, overexposing of one stop or two a color film doesn’t hurt.
I started the day in Le Marais, then I walked to Saint Michel and I finished at Place de la Concorde with the illuminated giant wheel which makes a great blurry background.
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I was in Hua Hin this December, a beach resort in Thailand and I thought it was the ideal place to try for the first time the film Rollei 400 infrared ; sea, beach, green space, bleue sky. I had a Leica M6, a Noctilux 0.95, and of course a Hoya filter R72. I previously tested the filter on my Sony A7R2, with the 35mmF2.8 . According to Hoya, this filter blocks 14.5 stops of lights. So I added 14.5 stops to the exposure and it worked. This was my digital experience. With film, it’s a whole different story. I read the forums and they said that we need to add only 6 or 7 stops. So I didn’t know if I had to follow Hoya or the forum. I choose to bracket. For each frame I took 3 pictures : +6 stops, +10 stops, + 14.5 stops. I metered with an app on my iPhone, myLightMeter pro, and I had the tripod Manfrotto 190.
You can see all the pictures below, so you can check which exposure is the best.
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I shot with my Polaroid 250 and Fujifilm FP-100c the first time this September 2017. The weather was nice most of the time, with clouds and a little rain sometimes. It is difficult to control the exposure with the 250. It is automatic, you have to rely on the internal lightmeter ; there is an optical sensor close to the lens. As my model tends to underexpose the pictures, I placed a piece of paper on the sensor and made a small hole in the middle. This way, the camera think that it’s darker than it really is, and make a longer exposure. There is as well a dial around the lens “darken-lighten” that you can adjust. I used this dial usually to darken when my pictures were overexposed.
It was a really fun to shoot with this camera and the peel apart film. Every time you pull out the picture from the camera, there is a surprise, you never know how the picture is gonna look like. and when you start to peel the negative apart from the positive , when the picture is sharp, well exposed and well framed, it is a delight to see the result showing slowly. When you succeed, the result is usually beautiful, the FP-100c is one of the best instant film ever made. Unfortunately, they are not produced anymore and they are difficult to find and expensive.
you can see below the videos that I shot during the photowalk, the scan of the pictures, and the scan of the negatives that I reclaimed.
Continue reading “Polaroid 250 & Fujifilm FP-100c in Paris : the most beautiful monuments”
After a degree of Art Administration and Cultural Management at Chulalongkorn University, Linjie Zhou worked at the HOF Art Space Gallery for several years. Then she became curator for Subhashok, an influential gallery in the art world in Thailand. Linjie tells us about her work as a curator, her relationship with the artists and the public, how she choose the concept of an exhibition and the corresponding art pieces. She presents as well the next exhibition of a fascinating Thai sculptor…
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We met with Xavier Jamaux in his Paris studio where he composed the original sound tracks for Johnny To’s best Hong Kong films: Sparrow, Accident, Mad Detective, Three and more…
Xavier told us about his love for Hong Kong, his encounters with Johnny To, his trips to Japan and Taiwan and his upcoming collaborations with Jay Jay Johanson and top model and singer Tatiana Platon.
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The Office of Contemporary Art and Culture, Ministry of Culture of Thailand, organized a fashion competition to promote the young designers in Thailand. After the selection, 117 new Thai designers presented their creation during a fashion show. The event took place in Siam Paragon, the 9th of May 2017. There were 3 editions before : in 2011, 2012 and 2013 . Now in 2017 it’s the 4th edition.
The artist and designer Wisharawish Akarasantisook organised the selection, the preparation and the good execution of the show. We had the chance to meet him for an interview to learn more about this project.
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Fuanglada “Sai” Jeeoun is a young and successful thai designer who started JanFive Studio two years ago. She creates bags and scarfs that sell worldwide. We met Sai in her studio in Bangkok where she draws and design her products, and she told us about her passion for her work, her inspiration, the travels around the world, and the projects for the future.
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Nous avons rencontré Xavier Jamaux dans son studio à Paris où il a composé les bandes originales des plus grands films de Hong Kong pour Johnny To : Sparrow, Accident, Mad Detective, Three etc…
Xavier nous a parlé de sa passion pour Hong Kong, de ses rencontres avec Johnny To, de ses voyages au Japon et à Taiwan, ainsi que de ses futures collaborations avec Jay Jay Johanson et Tatiana Platon, top model et chanteuse…
English version of this interview here
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Wisharawish Akarasantisook is a famous and talented artist and fashion designer in Thailand.
We had the chance to meet him in Bangkok before his journey to Paris for the Fashion Week.
We talked about his artistic projects, the exhibition “Made by Paris” and the international marketing work he’s doing for a fashion brand of clothing. Wisharawish told us as well about his haute couture collections, and his missions with the Ministry of Culture to promote thai silk and young thai designers.
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